Thursday, December 30, 2010

Two very different musics

It simply doesn't get any more pompous, cliched, or over-the-top than the Trans-Siberian Orchestra. And that's just the way the audience loves it.

Yesterday's shows in Grand Rapids were the almost culmination of the Christmas tour (a stop in Detroit finishes it). If you've not seen a show by the TSO, think of the hair metal bands of the 80s. Give the drummer a set twice as big as the norm, make sure the guitarists (count 'em, one, two, three!) are seriously skilled, put two keyboardists on the stage. Now add a string section (thank you Grand Rapids Symphony) and, oh, about nine singers. And a narrator.

There's your musical muscle. But it's much more than that. How about enough fog to make a small cloud bank, lasers that could destroy the starship Enterprise and a couple Klingon birds of prey, spots, strobes and other lighting effects that cause optical illusions, moving trusses also filled with different lighting effects, a beautiful starry sky (!), and so many pyrotechnics the audience could feel the heat? One word comes to mind: WOW! Actually, it's more like wow, as the totality of it all was so overwhelming.

Musically the tunes hold together better than on disc. Again, it's the show that matters, with the guitarists, lead violinist, and singers (the girls at least) running and skipping the length of the stage and the wings, showing up in the audience, on the back stage, descending from the rafters, or strutting on the other moving wings to play, sing or shimmy directly above the audience. Did I mention wow?

Amazing, exhilarating, and hilarious. One note: those of us who are follicly challenged have no hope of joining the band. But if you're looking for great fun, with the additional fillip of supporting a good cause (the shows raised over $17,000 for charity in GR), it's hard to top it.

Yesterday also brought sad news, however, with the death of Dr. Billy Taylor. Not only was Taylor an influential jazz musician, on a par with Duke Ellington and McCoy Tyner as a pianist and bandleader, and the composer of over 350 songs, he was without doubt the foremost jazz educator around. Not only as an actual instructor, but in bringing jazz to the masses and demystifying the music.

For many years he was a featured regular guest on CBS's Sunday Morning with Charles Kuralt. He also was a regular radio commentator. He was instantly recognizable with his oversize glasses and his friendly demeanor made him accessible to all, from the most erudite musician to the most naive jazz neophyte. He will be missed, and the world, jazz in particular, is the poorer for his loss.

Thursday, December 23, 2010

Reflections on a life and death

When we took Mary to the hospital in the midst of the Sunday night blizzard here, I thought/hoped they would be able to give her some IV and nutrition and she'd be able to come home in a couple days. But on Tuesday morning when I went in after dropping Marc off for class, the nurse said there had been a change overnight and she was no longer responding to requests or commands. I went in and bent over her ear and said “I love you.” She didn't open her eyes, but her lips moved, and she clearly whispered back, “I love you too.” The doctor told me that morning that he thought it would be about 24 hours, and Marc and I gave her permission to go later that day. Still, she fought on: 24, 48, 72 hours passed before her poor body finally wore out.

The past few days have been a whirlwind. Fortunately, Mary had (of course) planned everything out, and gone over it with Fr. Michael, her priest and boss. So we rounded up the cats and sent Mary off in high style. If only she could have been here in person to see all the wonderful friends who came out for her going away party. She would have loved it.

The music, by our music director, Peter Bergin (keyboards and a beautiful tenor voice), our friends Christina Seymour (soprano) and Dave Johnson (bass), and guitarist John Wunsch, was beautiful. One of my friends wrote, "The love in that room was so big and so real, and that church is so musical, I think it should you should pitch it as a new TV show, a kind of Catholic Glee. Thank you for sharing your lives so openly and all of that amazing grace. John Wunsch's rendition of "Amazing Grace" was a masterpiece of emotion -- a perfect, meditative climax. A few times today, I shared with friends who know you but didn't attend the funeral, about how amazing the service was and what a great tribute it was. It was an extreme example of one of those times you want to applaud and express your appreciation, but can't. (Although I must admit it's refreshing when a great piece of music ends without a crowd of drunks applauding and some redneck whistling or yahooing.)" Thank you Jim Barnes.

Personally, I veer between great sadness, happiness, joy, laughter and tears. It's a whirlwind of emotions. Those of you who knew Mary, even if you only met her once, knew the joy she brought to every encounter. To know that light has been extinguished forever, that I will no longer be able to look in her sparkling eyes and talk to her about matters mundane and profound, to ask her who the heck the actor is on TV because, you know he was in that one show, to point to the dog’s latest shenanigans and laugh, to sit with her and listen to Marc tell us a tale, to tell her I love her, is emotionally devastating. To know that I will never again hear that lovely, musical voice – truly the best female voice this harsh critic has ever heard – Is just so sad.

Yet I know that Mary is finally free from her suffering. She never complained, though she would matter of factly tell me from time to time, “It's really hurting today.” Marc and I saw every day what she went through. The way her back became increasingly distended, her posture more and more stooped from the fractured vertebrae. Her increasing wobbliness, resulting in going back to the walker from the cane a week before she went into the hospital. The bedsores. The raft of pills she had to take, resulting in two separate pill boxes, one for morning, one for evening. Still, she persevered.

And so do we. I am not the first person this has happened to, nor the last. People pick up their lives every day. The world doesn't stop spinning just because someone you love is suddenly gone. We all know that from losing friends, neighbors, parents, siblings, children. Just two weeks ago my hometown of Newaygo lost one of the pillars of the community, my good friend Jeff Cronk, to a heart attack. Two weeks prior to that, his brother-in-law Mark Simon, the superintendent at Mesick, also passed away due to a totally unexpected heart attack. So if you're going to feel sorry for someone, feel sorry for Jeff's lovely wife Wendy, who lost her brother and husband in the space of two weeks and now has to make Christmas for her three sons.

But like Wendy, I still have so much to live for. If Mary was amazing, and she was, our son Marc is the most remarkable person I've ever met. His ability to miss his mom yet accept that she's gone, to look past the hurt and appreciate both the wonderful times we had and the knowledge that Mary is no longer suffering, is the best medicine I could get. Our wonderful friends here continue to support us and lift us up with their love. Cards, calls, emails, all overflowing with love (keep 'em coming!).

My best friends from home, Joe and Chris Sorden and Jon Bumstead, were at the funeral, and afterwards were looking for a place to sit in the parish hall for the luncheon. I grabbed them and said come sit with us. You are family. Of course, I could have said that about anyone there, and probably anyone bothering to read this blog. You are all our family. Though I'm an only child, in addition to Joe and Jon, I have a raft of brothers from Circus Circus, my dorm floor at MSU, rallying to me. My editor at Progression wrote and called, my editor at the Business News wrote me several times, my editor at the Insider came to visitation, my editor at Northern Express was at the funeral, and the folks at Jazziz sent a beautiful bouquet. Not to forget my former editor there, Koretzky, and my triathlon-loving friend, Blaze. My former employers at Coldwell Banker sent a plant, and then visited en masse. Former boss Leslie Bloomquist Knopp, whose father, my Spartan band director Ken Bloomquist is now battling this demon disease. All the St. Philip Neri and Empire/Glen Arbor friends -– without you we would be, if not lost, at least so much poorer in spirit. Diane from eyeland, Genevieve and Janine from hairland, my NMC Jazz director Mike Hunter and his wife, Margie, who was Marc's elementary music teacher, along with a number of his other teachers. The cards that keep coming in. Realtor friends, high school and college classmates, the Record-Eagle alumni club, including Nick, Tom, Tuner – and don't forget Jacki! – Facebook friends. It is is all good.

Those of you who were not able to be at the funeral will have a chance to make it up at the burial in the spring in Empire. I will keep you updated. It will be one more opportunity to celebrate Mary's life.

I've occasionally appended to my notes those from my friend and former section leader in the SMB, Bob Addleman, who has kept us in his prayers and on his prayer chains in Pittsburgh while dealing with his own health challenges and moving in to a new home to take better care of his mom (increasing dementia) and dad (who had a stroke). In the midst of his travails he continues to reach out to me, and I'll end with the closing from his latest email, sent to me the day of Mary's funeral.

“I know it probably sounds hollow on a day like today, but today is another opportunity to have a great day. I hope and pray it's that way for both of us.”

Me too. For all of us.

Love to all,

Ross and Marc

Friday, December 17, 2010

Heavy Hearts

Mary died peacefully this morning at 10 o'clock. She fought determinedly to the end, even after we'd told her it was all right to go. The doc told us Tuesday morning he thought 24 hours. Hah! From the same people who gave her a year in February 09. She showed them, and showed us all how to fight. Stubborn woman.

Since we took her into Munson in the Sunday night blizzard, she had mostly been asleep. Her sisters stayed with her almost constantly. Tuesday morning when I got in the doctor and nurses said she had been unresponsive, so I went in and told her I loved her. She said, "I love you too."

We have yet to work out funeral details. It will be at St. Philip Neri in Empire, of course, her home away from home. Though sometimes I thought it was the other way around.

Marc finished his exams this week. Yeah, great timing. But it gave him something else to do and think about. And of course he did spectacularly well. When I dropped off his last project today, a DVD he compiled from Absolutely Fabulous and accompanying booklet for his psychology class, his professor went out of his way to tell me how much he enjoyed Marc, how bright and insightful he was and how much he added to the class. Well, yeah. But it was great to hear. He has been incredible throughout this whole ordeal. He has been my rock, and here I thought it was supposed to be the other way around. He is truly the most amazing person I have ever known and I am so glad and so proud to be his Dad. Mary of course felt the same way, and I see so much of her in him. Plus my eyelashes and sarcasm.

Thank you to all of you for your innumerable kindnesses, thoughts, prayers and actions over the past two years. I know Mary would never have made it to this point without all of you. Our lives have been enriched for having known you.

Love,

Ross and Marc

Saturday, December 4, 2010

On hiatus

Two favorites are currently "on hiatus" as the networks like to say. ABC's "Detroit 1-8-7" and the FOX show "The Good Guys" are both ending or have ended their season runs, and it's unclear whether new episodes will be ordered.

That's too bad. These two very different cop shows are mildly engaging at worst. At best they offer interesting characters and stories, more than can be said for most TV shows.

"1-8-7" is another in a line of gritty police shows, starting with "Hill Street Blues" and through "Homicide: Life on the Streets" and "NYPD Blue." Michael Imperioli is brilliant as enigmatic Detective Louis Fitch, and "NYPD Blue" vet James McDaniel is among the others in the ensemble. While some have portrayed it as "just another cop show," it is more than that. It may not be brilliantly original, but it is engrossing and unpredictable. Plus it helps Detroit's economy. What's not to like? Its biggest problem may be that it is on opposite "The Good Wife." It has gotten love from the likes of Time magazine, but whether that will be enough to give it a second season is still unknown.

"The Good Guys" is at the other end of the spectrum. If "Law & Order" was ripped from the headlines, this opposites attract buddy cop show seems ripped from "The Dukes of Hazzard" and "Police Squad!" with a little C.S.I. and "48 Hours" thrown in. Bradley Whitford chews up the scenery as old-school cop Dan Stark, and Colin Hanks is appealing as his initially earnest and appalled partner who is gradually coming around to Stark's methodology, often to his own chagrin. Throw in an interoffice romance between Hanks's Jack Bailey and his on-again DA squeeze Liz Traynor, while awkward but endearing CI Samantha Evans harbors a not-so-secret interest in Bailey. It makes for a very messy show, one that is impossible to take seriously, but that's not the point. The point is a lot of car crashes and explosions, repartee that Stark seems to think is either witty or profound but is neither, and a grudging acceptance of the fact these things seem to work out by Bailey, Traynor, and cop boss Lt. Ruiz (Dan's ex-partner and ex-love interest - told you it was messy). It's too broad to be that funny, but it's still at least a couple steps up from dreck such as "Chase" or "Hawaii Five-O" or any of the garbage that is reality TV.

Thursday, December 2, 2010

New TV shows not worth saving

So I had a chance to catch two of the season's new television shows I hadn't yet seen. There's two hours of my life I won't get back.

Let's start with the already-canceled "The Whole Truth" starring Maura Tierney and Rob Morrow. I can see why it's already gotten the axe. Tierney is fine if bland. Morrow looks like he just woke up in the boat wearing last night's clothes. Actually the clothes look like they're from a couple decades back. The scruffy look worked for Don Johnson in Miami Vice, but he wasn't appearing in court. Don't you think an attorney would shave, and iron his shirt? Or at least make sure the shirt and tie match?

And its gimmick, that at the end of the show the truth would be revealed? Big whoop. It was done better before on the far superior FOX lawyer show "Justice," starring Victor Garber. Also on that show was Eamonn Walker, who - surprise! - is on the team here too.

Next up, "Hawaii Five-0." Where have you gone, Jack Lord? This remake is just dismal. No wonder James MacArthur just died. He probably saw an episode. The acting is wooden and the writing stupid. Other adjectives come to mind, such as dull, comic-book-like, moronic, and lowest common denominator. Grace Park as a surfer-turned-cop? Please. It would have been better to have Alex O'Loughlin reprise his role from "Moonlight" as a vampire detective assisting the Five-0 team. Now, that would have been fun.

Also just canceled is NBC's "Undercovers," the husband-and-wife spy series. It tried hard, very hard, but the characters were more like caricatures. I won't miss it much, but it was the best thing on in its time slot. All I can say is bring back "Snoops."

Wednesday, December 1, 2010

TV on the web on TV

So there's a new device that lets you watch any program from the web anytime on your TV. Only problem is, as NY Times tech columnist David Pogue points out, it doesn't work. From his review, it sounds similar to when your basic cable was suddenly enriched by a stray HBO signal. I remember my roommate and I hauling our TV upstairs to watch Nick Nolte and Eddie Murphy in "48 Hours" when that happened to us. The upstairs was getting a better signal, so we hoisted that 200 pound monster (this was the 80s, long before the luxury of lightweight flatscreens) and struggled up the stairs. For a day.

Anyway, Pogue's review of Orb TV sounds like the results we got back then. Only worse, because much is promised and less is delivered. Sometimes the picture freezes, sometimes it's fuzzy, and much of what is promised simply isn't there. Part of the reason is because the device tries to work around restrictions mandated by the networks and Hulu.

That's where Pogue mentions the key challenge: "TV sets are becoming computers, computers are becoming TV’s, the line is blurring, and the blocking of gadgets is looking more and more arbitrary . . . sit the TV executives and advertisers down and find a way to make Web shows pay for themselves, no matter what device they’re playing on."

Read Pogue's entire article here; it's fascinating. But its penultimate solution points out to me the similarities to the recording industry when the digital age hit there. You can't put the genie back in the bottle. The industry is changing, and trying to prohibit change from happening is at best a stalling tactic, and at worst, stupid and irritating to consumers. Change happens. Get onboard or get run over.

Thursday, November 25, 2010

Harry Potter gets very dark

Returned home less than upbeat after taking in Deathly Hallows Part 1. Poor Hedwig. Poor Dobby. 

Not that it wasn't well done, because it was. It's just not a happy movie. There are a few minutes of lightness, but not many. And some of those almost feel artificial. Ron Weasley is just a bit too out of touch, though his family keeps things light without seeming forced. 

One of the best scenes is created independently of the book, when Harry and Hermione are separated from Ron and to relieve things they dance together. It shows they are friends and under different circumstances could have been more than that. 

The three principals continue to show depth as actors. Much of the rest of the cast, other than Ralph Fiennes as He Who Must Not Be Named, are in and out of scenes so quickly as to be hardly noticeable. Fiennes is under so much makeup it's hard to get much more than a sense of menace from him. Best of the bunch is probably Evanna Lynch as Luna Lovegood. 

If you like the books, you'll like the movie. If you love the books, you'll like the movie. If you haven't read the books, you will probably find it hard to follow along, especially if you haven't seen the earlier movies. But chances are if you haven't seen the others, you aren't going to see this one, so what's the point?

Wednesday, November 24, 2010

Return to the Seventh Galaxy

Received in the mail today, the upcoming two-disc set Forever from jazz icons Chick Corea, Stanley Clarke, and Lenny White. They explore an acoustic version of their partnership previously known as Return to Forever. In addition to the trio, the set also includes contributions from Chaka Khan, original RTF guitarist Bill Connors, and violinist Jean-Luc Ponty, who previously worked alongside Clarke and Connors's replacement, Al Di Meola, as the Rite of Strings.

While the jury is still out on the recording - hey, I've only had it for a couple hours - the best news is in the accompanying liner notes. There is a promised RTF Mk. 4 tour in the works. To bring everyone up to speed:

RTF Mk. 1     Light As A Feather, w/Corea, Clarke,White, Joe Farrell, Flora Purim, Airto (also Corea's LP Return to Forever, whence the group's name)
RTF Mk.2      Hymn of the Seventh Galaxy, w/CCW and Connors
RTF Mk. 2.5  Where Have I Known You Before, No Mystery, Romantic Warrior, w/CCW and Di Meola
RTF Mk. 3     MusicMagic and a live set, w/CC, Gerry Brown, Gayle Moran, Farrell, and a horn section
RTF Mk. 4    Corea, Clarke, White, Connors, Ponty
                  
There was an earlier undocumented group between Mk. 1 and 2 with Earl Klugh.

The group's 2008 reunion with Di Meola was arguably the jazz event of the year, and the accompanying disc, Returns, gives those of us who were unable to witness the shows in person a memento. And makes us feel even worse for not being there in person.

So you've been warned. Keep your eyes open this summer for the next great fusion tour, and in the meantime keep your ears open for this disc, due to drop Feb. 22.

Saturday, November 20, 2010

Pomp and bombast

Listening to the TSO today. Not the Traverse Symphony Orchestra, the Trans-Siberian Orchestra. Will be interviewing head honcho Paul O'Neill soon to preview the TSO Christmas show in Grand Rapids. If you look up bombastic in the dictionary I'm sure Paul's photo is there. Always over the top, then piling on more, more, more. Great fun, but it can wear after a while. So just one disc at a time.

Then more CTI. The label produced some of the greatest jazz of the 70s, with powerhouses like George Benson, Freddie Hubbard, Ron Carter, Jobim, Deodato, Hubert Laws and more. Some was commercial/crossover, some straightahead, some Brazilian. All was melodic and listenable.The four-disc boxed set gives a great taste of the label's offerings. More in-depth coverage later here, and in Northern Express, along with new Bruce Springsteen, Dwight Twilley, Yoso, Bryan Ferry, and more.

On another note, go Green! MSU pulls it out in the fourth quarter. Michigan can't help the Spartans, though, getting roughed up by Wisconsin. Other than their decisive loss at State, they do look like the best team in the Big 11.

Thursday, November 18, 2010

Dont' lie to me - Human Target is back.

So now we've seen the first episode of Human Target. At least a few of us have, as the ratings were pretty dismal. That's too bad, because this is an entertaining show. Mark Valley is cool throughout, Chi McBride is Chi McBride in his best role since House or Pushing Daisies or all the way back to Laroquette, and Jackie Earle Haley is a hoot, especially when he decks new cast member Janet Montgomery's Ames with a right to her face. Good stuff.

But - and this is a huge but - they wrapped up last season's cliffhanger in the first three minutes, without a hint of Armand Assante. Assante was previously Chance's (Valley's) boss, mentor and father figure in the assassin game, and he appeared out of the blue at the end of last season's cliffhanger to help Chance get back Winston. And not even a mention? Bad. Cheap. Copout. The whole episode seemed hurried. Entertaining, but hurried. If it would have been 90 minutes instead of an hour, they could have included Assante, wrapped up the storyline with Timothy Omundson's baddie (and his mysterious book, which we've still got no clue about), and then gotten on with the rest.

The new cast members are fine, though Haley's still a little too funny to be scary. Needs more darkness. And I'm still looking for more Autumn Reese as Layla, the computer tech who appeared in a couple shows last season. Still, it's fun. A great way to spend an hour. And great explosions!

Unfortunately I was one of the reasons that the ratings were down. Not home to see the show, so I watched it on Hulu. What a great thing. Now it's time to catch up with this week's episode of Lie To Me.

Dont' lie to me - Human Target is back.

So now we've seen the first episode of Human Target. At least a few of us have, as the ratings were pretty dismal. That's too bad, because this is an entertaining show. Mark Valley is cool throughout, Chi McBride is Chi McBride in his best role since House or Pushing Daisies or all the way back to Laroquette, and Jackie Earle Haley is a hoot, especially when he decks new cast member Janet Montgomery's Ames with a right to her face. Good stuff.

But - and this is a huge but - they wrapped up last season's cliffhanger in the first three minutes, without a hint of Armand Assante. Assante was previously Chance's (Valley's) boss, mentor and father figure in the assassin game, and he appeared out of the blue at the end of last season's cliffhanger to help Chance get back Winston. And not even a mention? Bad. Cheap. Copout. The whole episode seemed hurried. Entertaining, but hurried. If it would have been 90 minutes instead of an hour, they could have included Assante, wrapped up the storyline with Timothy Omundson's baddie (and his mysterious book, which we've still got no clue about), and then gotten on with the rest.

The new cast members are fine, though Haley's still a little too funny to be scary. Needs more darkness. And I'm still looking for more Autumn Reese as Layla, the computer tech who appeared in a couple shows last season. Still, it's fun. A great way to spend an hour. And great explosions!

Monday, November 8, 2010

Lie to me. Go ahead.

Hard to believe department: Dancing with the Stars is the #1 show in America. It's great to live in such a shallow country. And come on, they're not even stars! I mean, Bristol Palin? Really? That's the best you can do?

Pathetic as I find it, what that does to Lie to Me is the real concern. It has rather quietly become one of the best shows on the tube. The science of detecting lies has never been shown as intriguingly. And the interactions among the characters are like nothing else on television. It's all set up by the brilliant and intriguing Dr. Lightman, the second-most interesting Sherlock Holmes type character on TV.

Of course, the most interesting Sherlock Holmes character on TV is - Sherlock. The PBS show has now shown its initial run of three shows. The end of the third one is a classic cliffhanger, the best since Picard became Borg. Actually, the third episode was probably the weakest of the three, though the introduction of Holmes's mortal enemy Moriarty was imaginative.

Fourplay's newest another solid effort

Fourplay, the smooth jazz supergroup, gets critically slammed as much as it does praised. That's because many jazz critics can't stand the band's laid-back vibe. And assuredly, these guys can all play their asses off. It's just that in this setting they seldom choose to. Bob James is simply one of the best pianists in jazz and has been for many years. Harvey Mason is a dynamic drummer, at home in any situation. If it's versatility you're looking for, bassist Nathan East has earned plaudits in jazz and rock alike, from Eric Clapton to Johnny Mathis, Kenny Rogers to Kenny Loggins. And new member Chuck Loeb has been a mainstay of the jazz scene for years as well, first coming to notice with Stan Getz, later Steps Ahead and most recently for his own discs.

On their new disc, Let's Touch the Sky, the four create a bumper crop of melodic jazz. Great songs, nimbly played. James is deft and though usually in the spotlight, never overshadows his companions. East's bass sets the tone, while Mason's drums are solid and his cymbals add just the right accents. Loeb's guitar fits right in the pocket. The singers - Ruben Studdard, Anita Baker, and East - are adequate but truthfully mostly superfluous. Having guest singers has been a Fourplay tradition, but they're hardly ever necessary. The real stars are the songs. As always, there are contributions from every member of the band, with James's gentle "Golden Faders" and Loeb's "3rd Degree" among the highlights. Sunny, enjoyable stuff.

Saturday, November 6, 2010

Music New and Noted

The name – Either/Orchestra – and title of the CD – Mood Music for Time Travelers – might make you think this was going to be some outre disc a la the old Don Ellis Orchestra. But no, it’s a little big band of three brass and three saxes plus rhythm,that travels back, not forward, in time. Back to the Cuba of the 50s and 60s with its Latin stylings. There’s a lot to like here, with the crisp ensemble playing, and effective solos from the likes of leader Russ Gershon on sax. Still, I was hoping for something just a little more out there.

Lee Ritenour’s homage to the guitar, 6 String Theory, finds Captain Fingers enlisting the aid of a huge roster of guitar greats as guests: John Scofield, Keb Mo, Taj Mahal, Pat Martino, Joe Bonamassa and Robert Cray – and that’s on just the first four tunes! Interestingly, those are the worst four tunes on the disc, an unpleasant mishmash of strident jazz and blues. It’s not until rock and roll rears its head on “68” that the disc takes off. Here it’s Neal Schon, Slash and especially Steve Lukather that take things in a more interesting direction. George Benson follows, sounding better than ever.

On the local Traverse City scene, Mary MacGowan’s new CD, Morning Glory, showcases her quirky side. A member of the NMC Vocal Jazz Ensemble (in the interest of full disclosure, I am also), MacGowan writes autobiographical songs that feature ukulele, clarinet, guitars acoustic and electric, fiddle and drums by tune, all surrounding her voice. Sometimes it sits out there by itself, but much of the time it’s stacked, sometimes harmonizing with itself, a la the Roches. That’s the closest comparison I can think of, in terms of voices and the funky, off-kilter folkish songs.

Remember Nu Shooz? How could you ever forget the fabulous, funky “I-I-I Can’t Wait”? The band has reappeared as the Nu Shooz Orchestra with Pandora’s Box, a grooving set of lounge/bossa nova/crossover jazz-pop that blends influences ranging from Basia to Cal Tjader. Surrounding Valerie Day’s expressive voice are flutes, flugelhorns, vibes, strings. Some tunes sound like refugees from old Jame Bond movies, others are more experimental. There’s even a surprising update of “I Can’t Wait,” with strings and acoustic bass taken waaaay downtempo. If the original forced you onto the dancefloor for a frenetic workout, this version is made for the night’s slow last dance.

For all you chamber jazz fans – and hey, who isn’t – Nik Bartsch’s Ronin presents Llyria, a set of engaging new compositions. ECM’s albums can be dense, fussy, and generally hard to appreciate. This is none of those. The five musicians of Ronin, starting with pianist, composer and leader Bartsch, listen to each other, and you’ll want to as well. The expected clarity of the recording never sounds artificial or sterile, just beguiling.

Okay, two new acquisitions that hail from the past. New wave synthpop darlings Ultravox never made it as big here as in the UK. The band exemplified chilly synth-rock, with anthems like “Vienna” and “Reap the Wild Wind.” Those tracks and 16 others are collected on The Very Best of Ultravox, along with a DVD of live pieces and videos. It’s great to hear these tracks again, particularly in light of the fact the quartet is back together and performing. A Michigan stop on the next tour would be most welcome.

While Ultravox was missing in action for some 20 years, Tower of Power took no such break. The dynamic act has been around long enough to go through something like ten lead vocalists. Brent Carter isn’t the best of the bunch – that would be Hubert Tubbs, Lenny Williams, Rick Stevens, and Tom Bowes in some order – but he’s never less than adequate. And unlike most bands, with Tower the soulful vocals are actually secondary to those shouting, blistering, cascading horns. Drawing from across the band’s 40-year history, Soul Vaccination: Tower of Power Live shows why the band is always a huge concert draw. What is hip? The passing years have shown that whatever the context, one correct answer will always be Tower of Power.

Friday, November 5, 2010

Making it big in music - or not

With so much to listen to suddenly - new Bryan Ferry, CTI 4-disc retrospective, Trey Gunn compilation, Nu Shooz Orchestra, Marcus Miller in Monte Carlo, John McLaughlin, and more - I, of course, have gone back to listening to other music. Part of that is assignments from the Muskegon Chronicle or Grand Traverse Insider (Janis Ian and the Trans-Siberian Orchestra/Mannheim Steamroller, respectively). Part of it is also due to new acquisitions of old music (The Best of Ultravox, as one example).

Which got me to thinking about artists that never made it as big as they should have. No, I don't expect Soft Machine Legacy to become Boys II Men or bemoan the fact the Atlanta Rhythm Section never became bigger than Lynrd Skynrd. But there were any number of groups or artists that should have become bigger than they were, but never got the support, or saw their label fold, or found the mainstream turning the other direction from their music. So in the spirit of sharing, here are a few suggestions. Give me yours.

WAX - The duo of Andrew Gold and ex-10cc member Graham Gouldman recorded the utterly brilliant single "Right Between the Eyes" and even got some MTV play from the video. But the rest of the album was only so-so, and subsequent releases failed to gel.

THE GOOD RATS - This Long Island band actually recorded several albums in the 70s, the best of which was From Rats to Riches, featuring "Takin' it to Detroit." Their hard-rocking sound, well-written songs and hearty yet clear vocals should have made them a recognized name if not stars. Alas, not even a second generation version managed the trick, though they still perform in the NYC area.

NICK HEYWARD - The onetime leader of new wave popsters Haircut 100 produced several brilliant blue-eyed soul albums in the 80s and 90s. But he never made it any bigger stateside than did his onetime band, which he abandoned during the recording of its second album.

THE TUBES - Anyone who ever saw the band live knows their albums never lived up to their funny, hedonistic, outrageous, provocative, amazing live shows. The arch satirists were so far ahead of their time. And musically they outstripped nearly all their contemporaries. Yes, I know "She's a Beauty" was a hit, but these guys should have been HUGE.

MICHAEL URBANIAK/URSZULA DUDZIAK - The onetime husband and wife team left Poland for the U.S. but got lost in the fusion shuffle of the 70s. Urbaniak was an excellent tenor saxophonist who all but abandoned it for lyricon and violin. Dudziak had an amazing voice, which she accessorized with electronics to create mosquitoes, white noise, or sing an engaging "Bluesette."

So there's your start. Plenty more from me to come.

Monday, November 1, 2010

Giants win the series. No one cares.

In answer to the question, "If they had a World Series and no one paid any attention, did it really happen?", the answer is, who cares? That the San Francisco Giants won their first World Series since moving west is nice, I guess. But hitting the big homers in the last two victories were Edgar Renteria and Aubrey Huff, names familiar to Tigers fans as COMPLETE FAILURES. Renteria was perhaps Dave Dombrowski's biggest mistake ever, as the Tigers Prez traded standout pitcher Jair Jurrjens to the Atlanta Braves for him, and he did nothing for the Tigers. Then the went for Aubrey Huff to try to get over the hump last year, and he did - Absolutely Nothing.

Now they both played key roles for the Giants and have series rings. There is no justice. Sigh.

Sunday, October 31, 2010

Culture - on TV?

Yes, a bit. The new Sherlock aired episode two tonight on PBS. As the Guinness commercials say: Brilliant! Unquestionably the best thing on the tube these days. The way they have moved Holmes into the present day is great. It's very natural. Making John Watson more than just a boob is also refreshing. The inspiration for Monk, House, the Mentalist and Shawn Spencer on Psych and countless others proves the original is still the best.

Other current favorites are Lie To Me and the Good Wife. Keeping up with the former is difficult, what with NMC Jazz Band and Marc's class on Monday night. Thank you Hulu. Dr. Lightman, like Holmes, is a master of detection, though his is specific to people and whether they are telling the truth. He is one interesting dude, one of my favorite characters on TV. Two others are on The Good Wife: Kalinda, the investigator, and Eli, Peter's campaign manager. I'd never want to get either of them angry at me. And curiously enough, Eli Gold is played by Alan Cumming, who just happens to be the host of Masterpiece, which is airing Sherlock. It all comes around.

Friday, September 17, 2010

Jazz doesn't have to be fast - but it's fun when it is

A friend of mine once told me somewhat dismissively that I liked all that fusiony guitar stuff. Well, yeah. Guilty. Return to Forever, Brand X, more recently the Rippingtons or Steve Smith's Vital Information. No, you can't dance to it, but you can't to Yes either, and how long has that band been No. 1 on my list? So discovering Casiopea was a treat. They live somewhere between RTF and the Ripps, with a side helping of Allan Holdsworth and Craig Chaquico.

If you're not familiar with those artists, well, shame on you, but you're forgiven, as long as you check them out. All brilliant. And Chaquico and Russ Freeman of the Rippingtons are as nice as they are talented. But that's for another time.

If you prefer your jazz less fusion guitary and more acoustic singingy, here's the place to go. The Tierney Sutton Band is performing at the City Opera House in Traverse City Sept. 30. You should love it. Not sure if I will be able to attend, as we return from another visit to my wife's oncologist at UM the night before, and then Friday I'm at Eastwood then off to MSU for the second Circus Circus reunion at the Wisconsin game (and not doubt other locales Friday night). Last year was a blast, seeing guys I hadn't seen in 30 years. Amazing how much older most of them looked.

Anyway, hope you forgive or better yet enjoy all the links. Of all the fusion groups - Mahavishnu, RTF, Weather Report, Lifetime - the best was Brand X. RIP Morris Pert.

Wednesday, September 15, 2010

The Tierney Sutton Band, coming to the Traverse City Opera House

Jazz vocalist supreme Tierney Sutton had to suffer through eight interviews today. Fortunately for her, I was one of them, and her favorite. Look, she said so. Mostly cuz I let her go early and sent her salutations from our mutual friend Joanie Bartels.

Sutton is simply one of the best female jazz singers out there. Together with her trio - make sure you call it the Tierney Sutton Band - she covers all the bases. Gorgeous voice, great arrangements, interesting material. She promises surprises at her show here on Sept. 30th. For one thing, they make up the set list the day of the show. For another, she trusts her band innately, so much so that they operate as equals. "It's not a singer and a backup band," she insisted when we spoke today.

More details in the coming days, but suffice to say if you're in the area you won't want to miss this show.

In a more artsy vein, Stories Yet To Tell, the new ECM disc by Norma Winstone (voice), Klaus Gesing (bass clarinet and soprano saxophone) and Glauco Venier (piano) promises much as well. I'll be reviewing it for Jazziz Magazine. This same trio recorded Distances in 2008 for ECM, one of the year's best. Jazziz reviews editor Bob Weinberg said he saw the group on tour last year and they were fabulous. So this could be great.

Friday, September 10, 2010

Rundgren Redux

As the body recuperates from that late-night three-hour trip back from Toddville, a.k.a. Muskegon, some additional reflections on the concert Wednesday.

Todd's best music has always been at its core emotionally compelling. That's true as far back as "We Gotta Get You A Woman" (with its plaintive conclusion, "and when we're through with you, we'll get me one too") through "Real Man" and "Can't Stop Running," "The Waiting Game" and "Hawking" from the brilliant Nearly Human, the righteous anger of Liars, or the bossa nova With A Twist. Whether it's his soulful vocals,  passionate guitar playing, or insightful lyrics, his music strikes a chord with the involved listener. Even the heavy prog/fusion pieces like "The Ikon,""Another Life" or his contribution to the Thelonious Monk tribute, "Four In One," can hit the listener hard with their soul.

With that in mind, it's no surprise that the second half of Wednesday's show was better received by the audience. Healing is one of the most emotional of all Rundgren's albums. With the exception of the silly "Golden Goose," the entire album shines (pun intended) with melody and compassion (pun again intended). Todd, on the other hand, was Rundgren turned loose in his own studio in '74, when experimentalism was at its zenith and the listening audience was open to try most anything. Todd addresses that in my interview with him in the Muskegon Chronicle.

In my pantheon of Todd/Utopia shows, it was one of the best "shows." While I can lament the fact the format meant that many favorites had no place in the show, I knew that going in. Now I know there really is no need to get a digital copy of Todd, but instead go for live performances of "A Dream Goes On Forever" and "The Last Ride." The concert disc Another Live, which I got from iTunes, contains a scintillating version of "Heavy Metal Kids," so I'm covered there. Now it's time to check out Arena and With A Twist and see what I've missed.

Thursday, September 9, 2010

Todd still rocks

So Muskegon is one of only six venues for the Todd/Healing tour. Great good luck for us. The Frauenthal is a wonderful place to see a show, though the sound could have been clearer and punchier. Some idiot near the front thought it could have been louder too. He told Todd that. Several times.

So, on to the show. Great 70s style. Check out Youtube for a look at Utopia back then, with Kevin Ellman wearing a kimono. Not quite that last night, but lots of colors and patterns on all the band, with Todd front and center. Musically, I guess people were a lot more indulgent in the 70s (Todd was released in 1974), as a lot of the music just doesn't stand up today. That made "The Last Ride" and "A Dream Goes On Forever" even more enjoyable. Talk about your heart-wrenching ballads. Todd does them better than anybody. Bobby Strickland lit up the night with a wild, mournful sax solo on "Ride." Todd rocked hard on "Heavy Metal Kids" but didn't really play enough guitar. And when he wanted to, he couldn't find the stagehand who had it. He mentioned afterward there were a few missteps.

After a half-hour intermission, the band reconvened, resplendent in tunic coats, Todd all in white. My all-time concert cohort Joey, a.k.a. Triathlon Man, said it reminded him what a great album Healing was. He's right. Every song was enjoyable. The secret weapon was a gospel choir from Detroit that sang backups. "Tiny Demons" showed previously unrealized depth (I'd never heard Todd perform it live before), "Compassion" was sterling, and "Time Heals" was outstanding as always.

The encore was one of my all-time favorite Rundgren songs, one I'd thought I would never hear live, "Sons of 1984." It lacked the horns of the original recording, but was moving, and the audience sang along. Even after the curtain went down. It was well-nigh magical.

Todd's voice was in great shape. He was emotive, passionate, hit the notes - I don't know what more you could have asked for vocally. The choir could have been miked a little more, and it could have used more from Kaz and the band for backgrounds, but that comes with that lack of general punchiness.

The band. Oh, the band. Jesse Gress didn't wail enough, but was masterful on acoustic guitar. Kasim Sulton ruled the bottom end, and sang his heart out as always. Prairie Prince wasn't as thunderous as usual, but seeing him seated atop his drumkit as the stagehands rolled it out was a treat. Greg Hawkes looked ancient, with his mop of white hair. Strickland played everything from soprano to alto to pennywhistle, unless it was uilleann pipes. And he played keyboards alongside Hawkes. So did Kaz. And so did Jesse. And Todd. A lot of money wrapped up in keyboards on this tour.

And big bucks in lights as well. This was the best lightshow from Todd in recent memory, at least dating back to Adventures in Utopia. Lasers, spots, just a bit of smoke to show them off.

All told, it was a very good show, though as it was done more as a revue than a concert there was less interaction between Todd and the audience than usual. I miss staples like "Real Man," "Just One Victory," or anything from Nearly Human, and this band could have killed on "Initiation" or "The Ikon." I had spoken with David Sanborn the same week I interviewed Todd, and told Sanborn his solo on "Initiation" was one of my favorites. It would have been way cool to hear Strickland tear into it. Oh well, just like the Tigers, wait till next year.

A few more photos here.

NEWSFLASH: On the Kasim Sulton blog site, someone posted this comment:
"I'm a fan and I had a good time and I'll go to the Faithful/Initiation show next year."
Hope it's true, and Todd returns to Western Michigan. Or maybe Northern Michigan, so I don't have to drive three hours and get home at 2 a.m.

Todd met with the audience afterwards, at least those who hung around. Hopefully he'll enjoy his taste of northern Michigan, courtesy of Way North Foods and Cherry Republic. He was charming and totally down to earth, good-naturedly putting up with fans asking for autographs and photos. And Michelle, his wife, is lovely and even more petite in person.

So I'm left with just one question: Todd, did you like the okra?

Sunday, September 5, 2010

ECM and other tunes

A passel of recent releases on ECM find a couple surprises among the expected genteel chamber jazz offerings. Ketil Bjornstad's disc-long "Remembrance" features the composer on piano, Jon Christensen on drums and tenor saxophonist Tore Brunberg. Bjornstad plays prettily throughout the disc, and Brunberg's occasionally Garbarek-like sax is more often reserved than icy. The gentle melodies roll though the 11 movements, with the third movement among the standouts. The two melodists echo or complement one another, and occasionally embrace the same lines, while Christensen keeps the pulse in the background, never intruding.

Paul Motian's Lost in a Dream offers the same setup, with drums, piano and tenor saxophone. The leader composed all the music for this live date at the venerable Village Vanguard in New York City, with the exception of Irving Berlin's "Be Careful Its My Heart." Chris Potter's sax is spotlighted on the opening "Mode VI," while pianist Jason Moran manages to play in a stand-out manner without really standing out. Motian remains one of the most sensitive drummers in jazz, always empathetic to his band members, but it would be nice to hear him wail a little bit more sometimes. His cymbal work on the title track is crisp and incisive.

Francois Couturier goes the solo piano route on Un jour si blanc, more chamber-y and less jazzy than, say, Keith Jarrett or Steve Kuhn. Much of the disc could be described as ambient, based on Brian Eno's original definition of the term, "music that must be as ignorable as it is listenable." It's no less beautiful for that.

Most surprising is Manu Katche's Third Round. It was surprising enough to find out that Peter Gabriel's longtime drummer possessed the ECM esthetic, but now - he swings! His band features Brunborg on sax, and here he sounds almost jaunty at times. The surprises continue, as Katche' features another horn player on two cuts, Kami Lyle, who doubles on vocals! But wait, there's more - the bass player is the always formidable Pino Palladino. If you're not familiar with the name, he's graced numerous (mostly British) rock records over the years, including the brilliant North of a Miracle by Nick Heyward. He's also a member of John Mayer's trio. And, oh yeah, he happens to be the bassist in the Who since John Entwhistle's death. He swings, he swoops, he's perfectly at home with Katche's compositions. Great, great stuff.

There's still a boatload of ECM to get to, but the rest have to wait till another day. Move on to the groove of Soulive, one of the hottest acts out there. They've embraced the Beatles on Rubber Soulive, consisting exclusively of tracks from the Fab Four. "Drive My Car" is fat and funky, heavy on Neal Evans's organ, and "Eleanor Rigby" is all right angles, courtesy of Eric Krasno's guitar. Drummer Al Evans conjures up images of what Ringo might have sounded like if he'd been influenced by Art Blakey. If you remember and love Booker T and the MGs, this is for you. 

Keep pushing on Memphis Blues by - Cyndi Lauper. Sounds outre, right? You have no idea. The opening "Just Your Fool" features Charlie Musselwhite; Allen Toussaint guests on "Shattered Dreams;" Toussaint and B.B. King join in on "Early in the Mornin';"and Jonny Lang guests on "Crossroads." This is slooooow blues, with mournful horns, wailing guitars, and Lauper doing her best to sound like someone who's lived the blues her whole life. One problem: She hasn't. Kudos for trying something new, but it just doesn't work.

Gaelic Storm's Cabbage is what it would sound like if the cast of Riverdance took last call at the pub with the Rovers. The opening "Raised on Black and Tans" celebrates the band's Irish heritage with harmonica, fiddle and more. "Space Race" questions why there aren't any Irish astronauts, while "Green Eyes, Red Hair" also celebrates her long legs, but notes "devil inside her." Ladies and gentlemen, here's your St. Patrick's Day soundtrack.

Friday, September 3, 2010

Catching Up With Music

Ah yes, so many tunes, so little time. Still trying to come to grips with Yoso's Elements. This Yes/Toto hybrid is more rock than either prog or pop. Two discs' worth to get to. So far, just through most of one. Engaging, though not as hooky as I might have thought. Yes/Badger/Bowie keyboardist Tony Kaye, Toto singer Bobby Kimball, and one-time Yesman Billy on bass, guitar, drums, and backing vocals. Can't give it a rating yet.

TP & Company, Steppe Forward: Engaging, contemporary jazz focused on leader Ted Piltzecker's vibes. The sextet creates a goodtime vibe (oops, sorry). Other than one Horace Silver track ("Nica's Dream"), the tunes are all Piltzecker originals. Fun stuff.

The big surprise: Toulouse Engelhardt's Perpendicular Worlds. An acoustic guitar tour de force, reminiscent at times of Billy McLaughlin, John Fahey or (dare I say it) Michael Hedges. Shimmering chords, blazing riffs, from the likes of Hendrix and Ye Olde English hymns. Amazing.

Coming soon, reports on a bevy of ECM discs, some proggy things, a couple world music discs, and one I'm really looking forward to, Blue After Hours, by Dan Jacobs. Dan gave me my first-ever horn lesson last week, and I can now play five notes on my flute. Woo hoo! He keeps telling me it's easy. OK, right. Then it was on to the trumpet, and he showed me a blues scale. Good thing I recorded it on my iPhone, cuz I was way overwhelmed. Stood me in good stead for the return of NMC Jazz Band last Monday. Nothing happening this Monday because of the holiday, so Tuesday it's on to the NMC Vocal Jazz Ensemble. That will be - interesting.

Wednesday it's time for more music, but this time I'll be in the audience. Todd and Healing, courtesy of the master, Todd Rundgren. The Joe (Sorden) and I will be hooting and hollering. Plus I'll be taking Todd a taste of the north in the form of biscotti and beer brittle, courtesy of Way North Foods. The company is the subject of an upcoming story (by moi, of course) in the Grand Traverse Insider, and proprietor Chef Perry Harmon is a big Todd fan. He's making up a treat basket, which I'll top off with some pickled okra. Don't ask.

Thursday is Business After Hours at Glen Lake Marina, and hopefully a couple of the stalwarts from Imageworks will be on scene. So next week is already mostly over! But more fun guaranteed to come.

Saturday, August 28, 2010

Put Up or Shut Up

It's that time for me. After talking the talk and then buying the walk, now it was time to learn to play the walk, I mean, the flute. I purchased one this past spring, but remained totally clueless. So yesterday I had my first-ever private lesson, courtesy of Dan Jacobs, a professional trumpet and flute player currently ensconced in Bellaire. I first met Dan several years ago at a Coldwell Banker party where I booked David Chown's group. I asked David to get a trumpet player as well as sax cuz I wanted to play, but not by myself. Dan was the man, and he still is The Man.

So I took my trumpet and my flute. He showed me how to hold the latter, what keys do what, and kept telling me it was easy. Thanks for the encouragement, Dan, even if I respectfully disagree at this point. But I was able to make some noises that eventually sounded like notes, and then, wonder of wonders, I got to play one of his alto flutes. It is so cool. I must get better so I can get one someday.

Then it was on to the trumpet. At least I know how to hold it, and it only has three valves instead of all those pesky keys. Here he gave me some technique tips and practice ideas. All in all it was a well-spent afternoon. Torch Lake was even more beautiful than usual on the way up, and now I just have to follow through.

Dan plays a lot in northern Michigan and also in the Grand Rapids area. For play dates or other information, check out his website at DanJacobsMusic.com. He's also on Facebook, sharing photos, shows, tips, and other fun stuff.

Thursday, August 19, 2010

Foreigner? Yes, Foreigner.

Now I've gone and done it. David Sanborn? Sure, he's great. Moody Blues? Well, okay, they were creative with "Threshold" and "Every Good Boy." Lyle Lovett? Stretching it, but with Lee Sklar and the amazing Russ Kunkel, okay.

But Foreigner? I really went to Foreigner? Sure, Kelly Hansen is one of the nicest guys I've ever interviewed, and Lou Gramm, the original lead singer, was as well lo these many years ago. But I've never really been a fan, not since Ian McDonald bailed on the band and any prog tendencies were long since abandoned. Still, I love that synth figure on "Feels Like the First Time," so why not.

Here's the deal: Kelly Hansen brings the goods. He looks like Steven Tyler's younger brother, but even skinnier. He flies around the stage and never misses a beat. Or a note. Great pipes, and he certainly doesn't lack for enthusiasm. Leader Mick Jones, with his balding pate and white sticky-uppy hair looks like nothing so much as an accountant who just found out his clients and his business are being audited. Bassist Jeff Pilson (Dokken, Dio) keyboardist Michael Bluestein and rhythm guitarist/saxophonist Tom Gimbel are all solid, but the drumming lacks subtlety. Yes, it's a rock band, but everything doesn't have to be thunderous. The band could definitely have used Russ Kunkel.

We all know the songs, as was evidenced by the crowd's singing along. The band does some creative things vocally, and it's a tight, rocking unit. The crowd was amusing to watch. Bet there hasn't been that much fist-pumping at Interlochen in - well, probably forever. But there's just some dynamic missing. Oh well, Todd's in less than a month.

Tuesday, August 17, 2010

Guitar Festival coming to Interlochen

The end of summer is always poignant, but for the last four years there's been a great way to celebrate. This year that's no different, as the Interlochen Guitar Festival brings in a host of axe-slingers to mentor guitar students. And put on some great shows as well. They run Aug. 26028. Interlochen alum Bruce Dunlap is sure to please, his Latin jazz show Thursday night a highlight for sure. Phil Keaggy is always a big name, and will be the headliner for Friday. But even lesser-known names will be engaging, and the workshops are great for any players.

Friday, August 13, 2010

David Sanborn, great saxophonics

Quick review of David Sanborn at Interlochen:

Wow.

Slightly longer one: Dressed in his trademark black, Sanborn and his trio wailed at Interlochen tonight. Joey DeFrancesco is a wiz on organ, and sings too. Even plays trumpet. That's right, I hate him. Drummer Byron Land was crisp, dynamic and kept things rolling. But Sanborn is and was the man. This wasn't smooth jazz Dave. It was wailing, rocking, blowing bluesy Dave. He primarily played tunes from his last two discs, tributes to Ray Charles, Hank Crawford and David "Fathead" Newman. A great show was had by all.

Tuesday, August 10, 2010

We could be heroes, just for one day

Two of my friends told me within the last few days that I was their hero for maintaining since Mary was diagnosed with cancer. That tells me two things. One, they need to get a better class of friends, or more discriminating taste in their heroes. And two, as David Bowie said, we can all be heroes.

I’ve done nothing extraordinary here. Just taking care of business. My buddy George Izeluk, who helped care for a friend who had cancer, told me, “We just do what needs to be done.” Well said, Geo.

All of you who have supported us are our heroes, for your love, prayers, and generosity of spirit. But I’d like to to acknowledge some of those of you who are particularly inspirational at this time. For those of you who aren’t named, don’t worry, there’s still time for you to make the next cut. Just step up your game a bit.

We all know some people who will be there for you anytime you need something, even if you don’t see them for months or years. George is one. Another is Mark Brock. One day shortly after my Mom had returned home after a stay in the hospital, I couldn’t reach her by phone. I called Mark and before I could even ask him if he might be able to check on her, he was going out the door, and called me five minutes later (even though his office is ten minutes away) to tell me everything was fine. That is a friend, and a hero.

The same is true of my three best friends in the world, Mark Businski, Jon Bumstead, and Joe Sorden. Mark is my former roomie at State, and has been one of the constants for us. The annual day at his parents’ cottage on Torch Lake is always a great time. When you are his guest, he’s determined you are going to have a good time. As Bartles & Jaymes said, Thank you for your support.

As has been documented here earlier, Jon wearied of political stupidity and stalemates in Lansing, and after griping about things, decided to actually do something about it. He ran for office, and by dint of hard work, he won the primary last week and will be the Republican nominee for the 100th district of the State House. That’s putting your money where your mouth is.

Joe, like George, is one of those rare people who always makes you feel better whenever you talk to him. And now, he’s not just as a hero, he’s a superhero: Triathlon Man. At the ripe old age of (insert two digits here, just make sure the first one is a 5), Joe is participating in his third triathlon this week. You go, Joe!

My Jazziz pal Melissa Blazek, who has been a source of strength and inspiration for both Mary and me since this ordeal began, is his counterpart. An avid cyclist, she rode in Mary’s name in an 80-mile bike race earlier this year, and had the following painted on the road during this year’s Tour de France. Now she too is in triathlon training. Blaze, you are the best.



Michael Koretzky was the first person I dealt with at Jazziz, when I said I’d review a disc the magazine was distributing if they’d let me write for the publication. Like Bumstead, Koretzky is one of those people who will always put his money where his mouth is. Let go by Florida Atlantic University, where he was the advisor to the student newspaper, he turned around and continued to advise the students as an unpaid guest lecturer. Also to rub it in the faces of the administration there. Just a little. Koretzky will never go gentle into that good night.

Koretzky also wrote me a great recommendation letter, noting that although we had worked together he’d never met me and if I walked into a room he wouldn’t recognize me. The letter is working great. I’ve had to fight off the job offers. Way to go, Koretzky.

Other heroes: Jacki Krolczyk, one of my best friends from the Record-Eagle days. Warm, bright and sparkling, Jacki felt underutilized at her workplace and missed leading a group of like-minded people. So she took on three new challenges at the same time: Moving to a new town (South Bend, Indiana), taking on a new job (ad director with the South Bend Tribune), and going back to school to get her Master’s degree at Notre Dame. That’s bravery.

Diana Labadie also made the difficult choice to move from home. Her husband Mark was a victim of the economic downturn in the homebuilding industry, but found a job in Pennsylvania. That meant saying goodbye to her job at Coldwell Banker, their home, their church, and their friends in Traverse City. So off she went.

But if the one who moves farthest wins, then the leader in the clubhouse is Joanie Bartels. Those of you with kids of a certain age, say, 15-30, hopefully know her music. With a lovely voice, impeccable taste, and an obvious, genuine love for both kids and their music, she’s been a mainstay of the children’s music scene for many years. That would be enough to be a hero, but wait, there’s more. Unafraid of life’s great adventure, she waited till she was somewhere north of 40 to fall in love, get married, and move – from Los Angeles to New Zealand. Classy, fun-loving and possessed of a beautiful soul, we are so proud to count her among our friends.

More heroes: Denny Becker saw a need for a cantor at our church in Empire. Without musical training, he bravely took it upon himself to become well-enough versed in the Mass liturgy to lead the congregation. Bravo Denny.

Those of you who attend St. Philip Neri have also heard Galen Tarrant, our accompanist for the last couple years. He started playing at Mass as a 15-year-old high school sophomore, becoming more confident, even to the point of leading the singing himself. Now, as a senior-to-be, Galen is considering music as part of the mix of his future.

Greg Holmes, like Mary, was stricken with a rare cancer. But with determination, some alternative therapies, the support of his doctor (okay, he cheated, he’s married to her), and his unflagging good humor, he beat it back.

Bruce Lirones, doctor by day, musician by night. As if getting back into the swing of things with his trumpet and the NMC Jazz Lab Band wasn’t enough, he’s outfitted an entire band (including his sons and neighbors), with which he plays bass. For a wanna-be musician like me, that’s inspirational.

Marti Johnson, another member of the Record-Eagle alumni club, who’s moved from media sales to standup comedy. She performs at Bo’s in TC and opened for a national touring comedian at Interlochen.

And of course, my family. Mary has bravely faced this bastard of a disease with strength and determination. She’s seldom been down, and greets each day. She’s made it to such milestones as Marc’s graduation, our anniversary and Marc’s birthday. She keeps on keeping on. She shouldn’t have to be going through this, but it’s the hand she’s been dealt, and she’s been tough and amazing throughout.

Marc is also one of a kind. While I miss dancing around the house to Tom Chapin, the Call and the Brian Setzer Orchestra with him on my shoulders, he’s so engaging to be around. He’s thoughtful, brilliant, and funny. No one should have to go what he’s gone through either. But as he said when we discussed it, “It is what it is.” Profound and insightful. That’s our boy.

So there’s a few of my heroes. They’re all out there. You're all out there. You just have to see the extraordinary in the ordinary.

Lyle Lovett's Large Band includes four ringers

Okay, let's be upfront about this. Lyle Lovett's music isn't exactly my bag. Too much twang, not enough torch, to misquote k.d. lang. But his band - what a blast. Start with the guitarist who bears an uncanny resemblance to Willard Scott. Or the fact that the cello player sings. Yup, that's right, cello player.

His backing vocalists included Was (Not Was) stalwarts Sweet Pea Atkinson and Sir Harry Bowen. Mesmerizing, classic cool. And the rhythm section was dynamite. Make that The (rhythm) Section, as it was half that classic studio band - bassist Leland Sklar and drummer Russ Kunkel. Kunkel was a revelation. He sounded like a cross between a dynamite swing drummer and Prairie Prince from the Tubes and Todd Rundgren (more on Todd in a minute). He drove the band, had impeccable time, swung fiercely, and man, did he thwack those skins!

The comparisons to the Tubes are apt. In addition to the thunderous drummer, each band had a versatile percussionist, two stinging lead guitarists, and the ability to shift gears and styles in a moment's notice. And both boasted a charismatic front man who is tall, angular, and has a brillo pad of hair. Plus Fee Waybill is one of the funniest human beings I've ever spoken with, and Lovett is one of the most genuine people I've seen on stage.

So, Todd. I interviewed him last week for a piece in the Muskegon Chronicle for his show there next month. Not a lover of sweets, as he turned down my offer to bring cookies with me to the show in Muskegon, but he did say he likes pickled okra. He was affable and engaging in conversation, and promised some surprises for concert-goers who see the Todd/Healing show. Last year's A Wizard A True Star tour featured nUtopia as the opening act, with Roger Powell, Kasim Sulton and Prairie Prince joining Todd in a set of favorites from that band before launching into the revue-style show for the bulk of the performance. He's promised some surprises this time around as well, though with Powell not on board (he's got a fulltime gig with game-makers Electronic Arts), it won't be Utopia redux.

What is it about Foreigner, the band I love to hate and hate to love? The irresistable hooks, riffs, and almost-bombast of "Hot Blooded" or "Cold As Ice," and emotional power ballads "Waiting" and "I Wanna Know What Love Is." I spoke with singer Lou Gramm many years ago when the band performed in Traverse City, and he moved to the top of my "People Who Could Be My Neighbors" list alongside the likes of pianist Liz Story, pop star Howard Jones, Deep Purple organist Jon Lord, and jazz singer Michael Franks (besides, Franks loves doxies). Yesterday I had the chance to interview Kelly Hansen, Gramm's replacement as of 2005. Like Gramm, he's got the pipes (check out the videos on YouTube), and like Gramm he's thoughtful and engaging. He also reminds me of our friend Christopher Knight (a.k.a. Jonathan Rand), both visually and vocally. What a great guy. Yes, he too could be our neighbor.

Last musical update before moving on: I earlier opined that the Brandenburg Gate show by Chamber Arts North was the concert of the summer. They're going to try to top that this weekend, with a show at the TC Congregational Church Friday and one in Glen Arbor Sunday. It promises to be exquisite, despite the absence of any Telemann. Anyone who likes classical music or chamber music at all is guaranteed an enjoyable evening.

Saturday, July 31, 2010

Reality Estate

The life of a freelancer, bouncing back and forth between assignments. This week's interviews will be Todd Rundgren, a wizard a true star, and Coldwell Banker CEO Jim Gillespie. Todd is touring next month, playing all the songs from his 1974 album Todd and 1981's Healing. I'm writing a piece for the Muskegon Chronicle and another for Progression Magazine. Having been a fan of Todd's since 1975 and seen him perform probably more than any other artist, I'm pretty geeked about the interview and the show. He'll be at home in Hawaii when we chat. Muskegon is one of only six stops on the tour.

Jim isn't performing anywhere to my knowledge, but will be sharing his insights for my upcoming article in the Traverse City Business News. I met him while at Coldwell Banker Schmidt when he attended the company's statewide convention, and he's a really great guy. I've seen some of the interviews he's done on the likes of CNBC and he's very personable while being very knowledgeable, an all-too-rare combination.

Thursday, July 29, 2010

The Storm

Gaelic Storm, that is. This Irish band rocks as hard as U2, but in a more traditional way. Its music sounds equally at home in a pub or dance hall (though not a dance club - not trancy enough). But the vocals, fiddles, and brilliant pipes (bag and uilleann) make this a brilliant album. Songs like “Northern Lights,” “Rum Runners,” the leadoff single “Raised on Black and Tans” and what should be the next single, “Chucky Timm,” offer proof that traditional music is alive and well, thank you very much.

Came home today from a brief respite in the beautiful U.P. (love that Drummond Island) to find more music awating: Several from ECM, Ted Pilzecker’s jazzy new Steppe Forward, Cuban legend Issac Delgado's collaboration with Freddy Cole, and perhaps most exciting, the new Soulive recording of Beatles hits, Rubber Soulive. Should be great.

The time in the U.P. was delightful. Drummond is relaxing, enticing, and the weather was great. No foxes (had to come back to Empire for that), but deer in the front yard (Mom, Dad and Bambi) and a couple sandhill cranes in the field nearby. They are hoppy birds, with enormous wingspans. Very cool. Bayside Dining still offers some of the tastiest desserts in the known world. The maple and chocolate cognac crèmes brûlées were the Best. Crèmes brûlĂ©es. EVER.

More fun to come as I slog through the music, and coming tomorrow, a diatribe on political signs and commercials. Design apparently goes right out the window when politicos enter the fray. Don’t these people know how we actually read?

Friday, July 23, 2010

The Todd interview

Coming two weeks from today: The interview. Talking to Todd Rundgren, live from Hawaii. Todd is performing every song from Todd and Healing Sept. 8 at the Frauenthal Center for the Performing Arts in Muskegon, one of only six dates in the U.S. for the tour. That's right, only six performances in the whole country, and one is in Muskegon. Can't figure that out, but I'm not complaining. The band for the tour hasn't been announced, so that will be a part of the interview. The writeup will be for the Muskegon Chronicle, though I'll also be doing a different article concentrating on the fusiony/prog/futuristic side of his music over the years for Progression Magazine, the Quarterly Journal of Progressive Music. On better newstands across America.

Today was not music interviews, but chocolate. Interviewed Mimi Wheeler, owner of Grocer's Daughter Chocolates in Empire. She made a name for herself by infusing her chocolates with oddball things like basil, rosemary and lavender. Truthfully, I found them more interesting than tasty, but they made a name for her. Newer concoctions including smoked sea salt and chili peppers are way better.

In sad chocolate news, Jacques Torres in Traverse City is closing its doors in just over a week. What a downer.

Thursday, July 22, 2010

Cool new music

Great new stuff from the Portico Quartet. Ever heard the hang? Or even heard of the hang? Me neither. It's a pitched percussion instrument. Imagine gamelan music meets Tibetan bells meets steel drums, playing Steve Reich. Portico Quartet includes the hang plus bass, drums and sax. Really inventive, engaging and hypnotic.

Course, I still gotta wade through all that ECM stuff. Then there's the new Incognito, Cherryholmes, Cyndi Lauper's blues disc (yeah, I know), two from the Pineapple Thief. Incognito's Transatlantic RPM kicks off with a killer version of Boz Scaggs's classic "Lowdown" and the instantly singalongable '1975." Great funky stuff. The rest pales in comparison, so far.

Most intriguing are the new Esperanza Spalding, pairing the bass diva with a jazz trio and a string trio on the aptly named Chamber Music Society. Then there's the debut disc from YOSO. That's Billy Sherwood (bass, guitar, drums) and Tony Kaye (keyboards), both ex-Yes, and former Toto singer Bobby Kimball. Get it? Yes, Toto - YOSO! Check out the video at http://is.gd/dCOYm and elsewhere on Youtube. Live they add a different drummer and Jimmy Haun on guitar. Haun's great, despite his work with a hundred others on the godawful Union, easily the most terrible thing ever released under the Yes moniker. Yes, it even bested Tormato. Bested or worsted? The only decent track on that abomination was Steve Howe's guitar solo.

Now, if we can just coax Billy Bruford out of retirement and get him and Trevor Rabin on board the Jon Anderson/Rick Wakeman Grumpy Old Men tour . . .

Look closely at the stage on the live YOSO tracks on Youtube and you'll see laptops. Both Bobby Kimball and Jimmy Haun have Macbooks next to their setups.

Last word on Toto: Check out the covers. The SAS band with Tony Hadley (Spandau Ballet) does "Hold the Line," and a capella group Straight No Chaser blends it with "The 12 Days of Christmas." Amazing, hysterical and must be heard to be believed.

Wednesday, July 21, 2010

Glen Arbor jam time

The band continues to grow. Last night at Wildflowers in Glen Arbor, the "band" expanded from three trumpets to four, playing to backing tracks. Plus a guitarist/vocalist joined impresario Kit Knowles's harmonica. It's a lovely setting in the garden outside, and so far no rain, at least not the times I've participated.

Next Tuesday they'll have to soldier on without me. Musicians and audience are both welcome to stop in, between 6 and 8. The backing music is traditional jazz standards, plus a few bluesy numbers from Kit. But anyone wanting to play any instrument in any style is welcome. It's a very mellow, enjoyable time. Stop on by!

Sunday, July 18, 2010

Exquisite baroque music

Chamber Music North at the Glen Lake Reformed church tonight. Far too small a crowd for such wonderful music. This was really one of the best concerts I've seen in a long, long time. The seven performers, in various groupings (quintet, trio, sextet, and a bassoon/cello duo) were warm and inspired.

The opener was enough in itself to send me home happy: A Telemann quartet peformed by flute, violin, bassoon, cello, and harpsichord. Yes, that's five performers, but they explained that the bassoon doubled some of the harpsichord part. I was reminded why Telemann is my favorite classical composer. The interplay among the flute, violin and harpsichord in particular was brilliant. Pieces by Corelli, Mozart and Bach (the fifth Brandenburg Concerto) followed. Each was exquisite, but the Telemann remains my favorite. I think it's time to turn back to some classical music.

Cellist Debra Fayroian, the director and visionary behind Chamber Music North, is to be congratulated for the continued success of the endeavor. There's another show coming up next month, featuring the music of Spain, on Aug. 13 at First Congregational Church in Traverse City and Aug. 16 at Glen Lake Community Reformed Church, Glen Arbor. See you there!

Wednesday, July 14, 2010

Water your workers

A couple days ago I noticed one of the flowers outside was wilting. I gave it some water, and the next day it had sprung right back up. It was a happy plant again.

If you think about it, the same thing happens with workers. When they're down, all it takes is some positive reinforcement to bring them back. Kind of hokey, maybe, but I've seen it happen. And it needn't be anything excessive (thought that's nice). A smile, a word of encouragement, thanks for a job well done.

Don't forget, that translates to customer service as well. There is nothing more satisfying than turning around an unhappy customer, and nothing more profitable. Making that complainer into an advocate is worth more than a full page ad in the paper.

Tuesday, July 13, 2010

Jam Session volume 1

Which implies there will be a volume 2, right? Well, maybe. First time playing the horn since jazz band ended in April, and the rust showed. But fun was had nevertheless, and I know what fun is, cause I had some once.* The incredibly laid-back jam session at Wildflowers in Glen Arbor featured a trumpet trio consisting of former NMC Jazz Lab Band stalwart Alan Ladomer (below left), my new best friend Gus Doerfler (center), and yours truly. We played to backup music from a canned rhythm section.

It was quite an interesting experiment, Alan accessing the music on his iPod and then playing it back through a sweet little Peavey sound system. The three amigos would labor through the theme, often in my case sight-reading, then effortlessly solo. Or perhaps effortfully solo. Though clueless about keys and changes, I can hear when notes are right, or for that matter, when they're wrong. But in this setting, you just keep playing till you get it right. Or till the lips collapse, which mine did about 2/3 of the way through the night.

Apparently one never knows who might show up. Last week there was a bassist, before that a seven-year-old playing violin. Tonight Kit Knowles provided a break, playing some bluesy harp. He also is responsible for some of the yummiest English toffee I've ever tasted. More on that later.

Till then, it's practice, practice, practice for next week. And hope someone shows up who can show me how to play my flute.

*Taken from an old Ziggy comic

Monday, July 12, 2010

This just in: LeBron a slave!

Just when you thought it was safe to go back in the water . . .

Apparently we're not done with l'affaire de LeBron after all. Not with Jesse Jackson entering the fray, saying Cavs owner Dan Gilbert was treating LeBron as a slave owner would. Now, while it's fun watching this lack-of-popularity contest between a spoiled, arrogant billionaire and an even more spoiled, even more arrogant multi-millionaire, this is beyond the pale. Let's just play the race card. Of course, we shouldn't be surprised. I mean, it's not like Jesse Jackson doesn't court publicity or anything.

I still love Gilbert's passion and anger as the jilted girlfriend, though he failed to address his complicity in making James the spoiled brat that he is. While there are those who were angry at LeBron's decision and/or the classless way he announced it, kicking Cleveland to the curb, there were those who thought Gilbert's vitriolic reply might have swayed the sympathy back toward James. Now Jackson may have swayed it back in Gilbert's direction. Here's a great piece by Jason Whitlock of Fox Sports on the subject.

Michael Rosenberg of SI.com compared James to icons such as Jordan, Magic, Bird and Isiah, noting that none of them would have joined the enemy, particularly when still at the height of his prowess. Two thoughts there. One, as has been mentioned elsewhere, is that everybody in the NBA seems to be pals these days. Bring back the good old days of rivalries and hatred. Remember Kevin McHale clotheslining Kurt Rambis? Or how many teams started getting thuggish power forwards, Ă  la Rambis, Marc Iavaroni of the Sixers, Charles Oakley, Xavier McDaniel? Don't forget the Bad Boys, or before that, when future Bad Boy Rick Mahorn and teammate Jeff Ruland of the Bullets were nicknamed McFilthy and McNasty by Celtics announcer Johnny Most. Yes, those were the good old days.

The other is that this is really unprecedented. As far as I can tell, there has never been a player in any sport who went directly from his hometown to his hometown team, became its icon, and then bolted in the prime of his career of his own volition. While Jordan et al, played their whole career for one team, Jordan was from Carolina, Magic from Michigan, Bird from Indiana, Zeke from Chicago. James was from just down the road from Cleveland, making The Betrayal that much more hurtful. What's more, those players all took their college and pro teams to a championship (or in Bird's case, leading his Indiana State team to an undefeated season right up to the championship game). Remind me again what James has won thus far.

By the way, the Big Apple is no longer friendly territory for the self-styled King. (I always thought that was Elvis, but maybe I'm just showing my age.) At Carmelo Anthony's wedding reception this weekend, when James took the microphone, he was greeted with a chorus of boos and hisses. And today, the cover of the New York Post sported a photo of LeBron and the headline "Welcome to NY, jackass." Priceless.

Friday, July 9, 2010

LeBronathon's merciful (and bitter) end

So finally we're done with LeBron's free agency story hogging the headlines. And what a way to go out. Clevelanders have The Fumble, The Shot, The Drive - and now The Betrayal. Love Dan Gilbert's response. Over the top, no doubt. And funny. And from the heart. Is there anyone outside of Miami who doesn't A) hate LeBron, B) hate Miami, and C) want Cleveland to win an NBA title before the Heat does?

Among the best media reactions to this parade of sycophancy is the one of Bill Simmons, the Sports Guy, on ESPN.com. This one from Ken Schott is priceless. Perhaps best of all was this from Michael Rosenberg of the Detroit Free Press and SportsIllustrated.com. He compares the Chosen One with not only Michael Jordan, but Larry Bird, Magic Johnson, and Isiah Thomas, and shows how he comes up short against all of them.

I'm proud to say I didn't watch "The Decision," and not only because we don't get ESPN. An hour long ode to self for a one-minute announcement? Sounds like it was pathetic, and worst of all was bootlicker Jim Gray. He gives a bad name to brown-nosers everywhere.

James's kicking Cleveland in the teeth (a way cool city, by the way) was totally classless, and it's obvious HE JUST DOESN'T GET IT. He's now Public Enemy No. 1 in Cleveland, and will get booed in pretty much every city in the NBA. In a way it's good for the NBA, as there is now a Yankees for everyone to root against.

Monday, July 5, 2010

Jeff Lorber returns to fusion

Keyboardist/composer/bandleader Jeff Lorber, one of the architects of smooth jazz, says his decision to bring back the Jeff Lorber Fusion moniker was partly due to the reception the music gets abroad. "In Europe the promoters still promote me as the Jeff Lorber Fusion when I tour," he said in a phone interview today. Conversations among Lorber and bandmates Jimmy Haslip and Eric Marienthal eventually led to Now Is The Time on Heads Up. It includes past Lorber Fusion tunes such as "Rain Dance" and "Water Sign," as well as a new take on Wayne Shorter's "Mysterious Traveler," the title track from Weather Report's 1974 release.

"The idea came up that we should do a Jeff Lorber Fusion, a modern version. We'd record it the way we used to, a band concept live in the studio," Lorber said.

Lorber thinks and hopes fusion may have come of age again. "Everything is cyclical," he said. "Fusion as it was was kind of a tired idea. There were a lot of extremely successful albums, but like all trends it got overrun." The resulting downturn in quality, as well as the reactions of the acoustic jazz police who decried the electricity, energy and success of Weather Report, Return to Forever, Jean-Luc Ponty, and other fusioneers, eventually resulted in the music's being relegated to has-been status.

Now Lorber hopes to help resurrect it. While this disc offers more than a passing nod to the smooth format that much of fusion eventually morphed into, there are certainly moments of energy, passion, and the lickety-split playing that enthralled audiences in the 70s. Let it rock!

Read more about my interview this fall in the pages of Jazziz magazine.

Sunday, June 27, 2010

Moody Blues still rock — for old guys

So there I was in the midst of the crowd of old farts, waiting for the older farts to come on stage. First to arrive is the backing band, looking young and lively, two gals, two guys. Then it's Justin Hayward, John Lodge, and Graeme Edge taking the stage to thunderous applause. And the show was really pretty good. Hayward's voice got a bit strained from time to time, and Lodge's was a bit thin, but the band really helped out. With one gal on vocals, guitar, and keyboards and the other on flute, guitar, harmonica and vocals, an extra drummer (who also doubled on flute!) and a main keyboard player, the sound was quite full. The mix left a bit to be desired, but Interlochen has long had a reputation for poor sound. The vocals could have been punched up a bit, and the mellotron sound that was such a hallmark of the Moodies was waaaaaaaaaay in the background, but overall not bad.

The same could be said of the show. They didn't do any Pinder or Thomas songs, since those guys aren't with the band anymore, but with the many hits of Hayward and Lodge (plus a couple from Edge) there was more than enough material. "The Story in Your Eyes" is probably my favorite all-time fave Moodies track, along with "Question" and "Ride My See Saw," and all were part of the set, along with (predictably) "Nights in White Satin." Always hated that song.

There was little between-songs patter, particularly not with Hayward, who was content to sing, then play without glancing at the audience. He left that to Lodge, who strutted about the stage, pointing alternately to the the flutist, the keyboard player, and members of the crowd.

The playing was fine if not especially fiery, though "I'm Just a Singer," "Question" and "See-Saw" were exceptions. Overall a pretty satisfactory show, less boring than past excursions. Next up is probably David Sanborn, though maybe Lyle Lovett might be interesting. Elsewhere, Todd is in Muskegon in September, on the Todd/Healing tour, playing all the tracks from those two albums, so that's a must-see. Hopefully he'll be in fine form, as his voice is sounding pretty ragged these days. Tierney Sutton will be at the Opera House in Traverse City; anyone who appreciates female jazz singers should be there.

In marketing news, I'm struggling through Seth Godin's Linchpin right now. Love most of his books, but this is less immediately engaging. And his daily blog can border on the anemic or downright silly. Subscribe to it and you'll see what I mean, particularly when he belabors the state of education today.

Off to Ann Arbor tomorrow to see Mary's oncologist. Hopefully some news there on her fatigue and pain.

Thursday, June 24, 2010

From the sublime to . . .

After John Lodge and Edgar Meyer, next up on the hit interview parade may be Bret Michaels, Celebrity Apprentice winner and remnant of the hair-band excesses of the 80s. If not, then maybe Meat Loaf or Henry Winkler, all appearing at the Kewadin Festival July 22-24 in Sault Ste. Marie.

In older cultural news, it's been a Lord of the Rings-athon, as I've watched all three LOTR movies. The scene in The Two Towers where Gandalf leaders the Riders of Rohan down the hill to the rescue still takes my breath away. Let's hear it for DVDs and flat screen TVs. Now for Blu-ray . . .

Last, quick listen to the new Incognito. Much more fun to come upon repeated listens, no doubt, but the opening cover of the Boz Scaggs classic "Lowdown" featuring Chaka Khan is a treat.

Tuesday, June 22, 2010

Different perspectives

Two very different bassists, two very different perspectives on music making. John Lodge, bassist for the Moody Blues for over four decades, tries to play every show just like the original recording. Edgar Meyer, the celebrated acoustic bassist who has played with everyone from Bela Fleck to Yo Yo Ma to James Taylor, sees each opportunity to play as a chance to reinvent himself to a degree.

Lodge has played with basically the same people since joining the Moody Blues in 1966: Mike Pinder left the group in 1978, but the remaining quartet stayed intact until Ray Thomas's retirement in 2003. The repertoire has also remained much the same, from "Tuesday Afternoon" to "In Your Wildest Dreams."

Meyer, on the other hand, is one of those restless spirits who effortlessly crosses musical boundaries. He's played with James Taylor, Yo Yo Ma, Sam Bush, Joshua Bell. He's done pop music, bluegrass, new age, classical. He says he looks for interesting people with whom to play, regardless of the genre. "It comes down to the personality of the players," he said.

Maybe that's the difference. Meyer wants to broaden his horizons and work with interesting people. Lodge has found his niche and wants to enjoy it at the expense of new horizons. After all, he wrote "I'm Just a Singer in a Rock and Roll Band."